Much has been written about the law as it affects new and minority religions, but relatively little has been written about how such religions react to the law. This book presents a wide variety of responses by minority religions to the legal environments within which they find themselves. An international panel of experts offer examples from North America, Europe and Asia demonstrating how religions with relatively little status may resort to violence or passive acceptance of the law; how they may change their beliefs or practices in order to be in compliance with the law; or how they may resort to the law itself in order to change their legal standing, sometimes by forging alliances with those with more power or authority to achieve their goals. The volume concludes by applying theoretical insights from sociological studies of law, religion and social movements to the variety of responses. The first systematic collection focussing on how minority religions respond to efforts at social control by various governmental agents, this book provides a vital reference for scholars of religion and the law, new religious movements, minority religions and the sociology of religion.

First Published in 1970. Routledge is an imprint of Taylor & Francis, an informa company.

Much has been written about the law as it affects new and minority religions, but relatively little has been written about how such religions react to the law. This book presents a wide variety of responses by minority religions to the legal environments within which they find themselves. An international panel of experts offer examples from North America, Europe and Asia demonstrating how religions with relatively little status may resort to violence or passive acceptance of the law; how they may change their beliefs or practices in order to be in compliance with the law; or how they may resort to the law itself in order to change their legal standing, sometimes by forging alliances with those with more power or authority to achieve their goals. The volume concludes by applying theoretical insights from sociological studies of law, religion and social movements to the variety of responses. The first systematic collection focussing on how minority religions respond to efforts at social control by various governmental agents, this book provides a vital reference for scholars of religion and the law, new religious movements, minority religions and the sociology of religion.

One of the characteristic features of Victorian poetry is dimness, a vanishing away-things blur with the motion of their passing, which seems inseparable from the mind's fading as it lets them go. Tennyson, Rossetti, Swinburne, and the young Yeats are elegists of the self; they render life as transparent, ghostlike, dissolving, ungraspable, nearly unrememberable. This vanishing away, this dimness, of Victorian poetry is most obvious in the twilights, mists, shadows, deep horizons, and flowing waters of its central landscape, but it is also a matter of sound and syntax, of repetition and rhythm, texture and line movement. Vanishing Lives examines these features and links them to larger issues, such as the psychology of the individual poets, and the Victorian and modern frames of mind. The tendencies under consideration are less ideas than forms or styles of feeling. They are so universal in the nineteenth century that they may not seem to call for comment, but for all their vagueness they are deep, powerful, resistant to change-an essential stratum of the experience of Victorian poetry. For poets like Yeats, who struggled to move beyond them, they were far more than the trappings of an outmoded poetry. They were a deeply ingrained aesthetic, a style, a morality, not only a way of art to be revised, but a way of living to be outgrown-a Tennysonian way.

This innovative textbook provides a concise and accessible guide for undergraduate students specializing in children and young people's nursing in the UK and further afield. Each chapter has been fully updated to reflect current knowledge and practice. The wide range of topics covered includes all the essentials, such as contemporary child health policy and legal issues; knowledge and skills for practice; and caring for children with special needs. Students will learn how to recognize the deteriorating child, use procedural play and distraction, and consider the mental health of children and young people. A Textbook of Children's and Young People's Nursing is written by multidisciplinary experts, rooted in child-centred healthcare within a family context, and draws upon best contemporary practice. It is an invaluable resource that will help nursing students provide effective, evidence-based care. Key points, summary boxes and clearly defined aims, objectives and learning outcomes to support learning Conversation boxes to enliven the text Patient scenarios to relate theory to practice New chapters on skin health and the use of therapeutic play Suggestions for seminar discussion topics to help teachers Resource lists and online resources for further study or research Online slides to complement chapters within book

The need to improve communication between humans and computers has been instrumental in de ning new modalities of communication, and new ways of interacting with machines. Gestures can convey information for which other modalities are not e cient or suitable. In natural and user-friendly interaction, gesturescanbeused, asasinglemodality, orcombinedinmultimodalinteraction schemes which involvespeech, or textual media. Speci cation methodologiescan be developed to design advanced interaction processes in order to de ne what kind of gestures are used, which meaning they convey, and what the paradigms of interaction are. Research centred on gesture interaction has recently provided signi cant technologicalimprovements, in particular: gesture capture and tra- ing (from video streams or other input devices), motion recognition, motion generation, and animation. In addition, active research in the elds of signal processing, pattern recognition, arti cial intelligence, and linguistics is relevant to the areas covered by the multidisciplinary research on gesture as a means of communication. Resulting fromathree-dayinternationalworkshopin Gif-sur-Yvette, France, with 80 participants from ten countries all over the world, this book presents contributions on gesture under the focus of human-computer communication. The workshop was run by Universit e Paris Sud, Orsay, on the lines of GW'96 at York University, UK, and GW'97 at Bielefeld University, Germany. Its purpose was to bring together scientists from researchand industrial organisationswo- ing on all aspects of gesture modelling and interaction. The book is organised in sixsections, coveringhumanperceptionandproductionofgesture, gestureloc- isation and movement segmentation, vision-based recognition and sign language recognition, gesture synthesis and animation, and multimodality.

One of the characteristic features of Victorian poetry is dimness, a vanishing away-things blur with the motion of their passing, which seems inseparable from the mind's fading as it lets them go. Tennyson, Rossetti, Swinburne, and the young Yeats are elegists of the self; they render life as transparent, ghostlike, dissolving, ungraspable, nearly unrememberable. This vanishing away, this dimness, of Victorian poetry is most obvious in the twilights, mists, shadows, deep horizons, and flowing waters of its central landscape, but it is also a matter of sound and syntax, of repetition and rhythm, texture and line movement. Vanishing Lives examines these features and links them to larger issues, such as the psychology of the individual poets, and the Victorian and modern frames of mind. The tendencies under consideration are less ideas than forms or styles of feeling. They are so universal in the nineteenth century that they may not seem to call for comment, but for all their vagueness they are deep, powerful, resistant to change-an essential stratum of the experience of Victorian poetry. For poets like Yeats, who struggled to move beyond them, they were far more than the trappings of an outmoded poetry. They were a deeply ingrained aesthetic, a style, a morality, not only a way of art to be revised, but a way of living to be outgrown-a Tennysonian way.

The Totally Football Book will feature the best writing from the Totally Football Show regulars, who by happy coincidence also happen to be among the finest football journalists around, and will be the definitive account of where football is at. Containing a series of essays looking at the state of the game, with the combination of irreverence and analysis that everyone will know from the podcast and lots more besides. Carl Anka will consider the shadow that Covid-19 still casts over the game, and asks what asterisks should be placed against the seasons impacted by the pandemic. Daniel Storey looks at the war in Ukraine through the prism of football, thinking about the game's place in the wider world and how, even though such astonishing events should mean football doesn't matter, it still really does. Sasha Goryunov takes a look at the astonishing rivalry between Liverpool and Manchester City, Tom Williams writes about the unique relationship between Gareth Bale and Wales, Elias Burke considers the work that Wayne Rooney has done under extraordinary circumstances at Derby, Katie Whyatt looks at Ella Toone and Lauren Hemp, two of the finest players in the women's game, Maher Mezahi profiles Aliou Cisse after he led Senegal to Africa Cup of Nations glory and much, much more. There will also be a day-by-day account of the key events of the 2021/22 season, from the traditional curtain-raiser of the Community Shield right through to the Champions League final, with everything from transfers, fights, sackings, arguments...and plenty of actual football too in between. And finally, of course, the quiz. The Inter Totally Cup crowned a new champion this year, and with the sort of trivia that has stumped even the podcast's finest brains, plus a set of teasers about the season just gone, you can test your knowledge against ours.

500 aphorisms. Our best-seller. In "Boston Review," Brenda O'Shaughnessy wrote, "Readers will be obsessed by this book; they will memorize passages, give copies to friends, proselytize. That's because "Vectors" so generously provides the best that poetry can offer. It is a masterpiece of practicality, beauty, and solace."

Poetry. ..".There's a broad, probing, unusual intelligence in Richardson's] work, an unusual kind of technical introspection and a wide-ranging inspiration and content that use as their matter images and ideas from sources as far afield as ancient philosophy, and contemporary science...it is work that brings news to us of packets of mental and emotional experience that haven't sung so well together in poetry for a longer time than one would care to think"--C.K. Williams. James Richardson is the author of five books of poetry, including VECTORS: APHORISMS & TEN-SECOND ESSAYS, and several critical studies. The recipient of the Cecil Hemley and Robert H. Winner Prizes from the Poetry Society of America, he is Professor of English and Creative Writing at Princeton University.

"The poems are elegies for everything, including myself," writes James Richardson. "Beyond this, I cannot pretend to be certain of much about them. I suppose they reflect a self with only a tenuous grip on its surroundings, threatened by their (and its own) continuous vanishing. The poems respond with a helplessness, fitful control, and not a little tenderness. Like the protagonists of The Encyclopedia of Stones: A Pastoral, I am very slow, both unsettled and inspired by the vertiginous strangeness and speed of events. I suspect these melancholy and disembodied poems are attempts to arrest the moment long enough to say farewell, to let things go rather than be subject to their disappearance." Originally published in 1977. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

"The poems are elegies for everything, including myself," writes James Richardson. "Beyond this, I cannot pretend to be certain of much about them. I suppose they reflect a self with only a tenuous grip on its surroundings, threatened by their (and its own) continuous vanishing. The poems respond with a helplessness, fitful control, and not a little tenderness. Like the protagonists of The Encyclopedia of Stones: A Pastoral, I am very slow, both unsettled and inspired by the vertiginous strangeness and speed of events. I suspect these melancholy and disembodied poems are attempts to arrest the moment long enough to say farewell, to let things go rather than be subject to their disappearance." Originally published in 1977. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.